[read Eileen's amazing post first]
After long absence from the classroom I return next week. I'm especially excited to teach an experimental graduate seminar called "Environ Body Object Veer." The course is a mashup of some familiar late medieval texts with an array of contemporary writing on thing theory, disability, embodiment, queer theory, and environmental studies -- among other critical topics. In keeping with its themes (and especially with its final term, veer) the pedagogy is more playful than that which animates a typical graduate seminar. It's a collaboratory more than one of those courses that teaches you The Things You Need to Know For Coverage Purposes (I'm doing one of those in the fall). EBOV is not going to be an easy course for those who take it: the amount of reading is high, and the demands placed on its participants no cake walk. But I do think it will be enjoyable, productive, and (I hope) a space for innovation.
Let me know what you think. The syllabus is permanently "in process" and we are going to spend the first class meeting ripping it apart.
English 6220:
Seminar in Medieval
and Early Modern Studies
Jeffrey J. Cohen
Spring 2013
Environ
Body Object Veer
This cartographic seminar follows the vectors
of possibility generated when the words environ, body, object and veer are
simultaneously nouns (surroundings; corpus; impedimental thing [from the Latin
“to throw in the way of”]; abrupt directional shift) and verbs (to circuit
inward; to materialize an abstraction; to protest or differ; to fly off
course).
Among the questions to which we will compose
some possible answers using our four keywords and our modern and medieval
texts:
- What worlds
commence when the inhuman exerts its sidelong agency?
- What transpires
at the congruence of disability, embodiment, and environment?
- What vocabulary
existed in the Middle Ages for thinking about the secular, the intermixed,
and the unpredetermined?
- What does it
mean to possess life?
- Can things
desire? Can they love?
- What relations unfold
among process and thing, event and adventure, velocity and substance?
- Is
anthropocentricity an inevitable circumscription to thought?
- How does travel
(in space, in time, in scale) open vistas that might otherwise remain
unperceived?
- What work does nature perform, and what unexpected
knowledges do its contradictions yield?
- Are medieval
and posthuman one or several temporalities?
We collude in this seminar to create a
confluence of contemporary theory (disability studies; queer theory; the new
materialism; object oriented ontology; ecocriticism) with medieval English,
Latin and French texts to map (environ, body, object and veer) possibilities –
or what medieval writers called aventure
-- for both.
The pedagogy that propels this seminar’s
unfolding is:
- collaborative (we work together to invent rather than proceed
from a model of mastery and induction)
- emergent (an openness has been inbuilt, because we cannot
predict where the seminar’s veering will lead)
- compositional (our community assembles, produces and generates)
- multimodal (encompassing the creation of: blog posts and other
social media, conference presentations, peer assessment, collectivity, a
public, and a journal-ready short critical essay)
Learning
Objectives
To be composed
during the first meeting of the seminar and recomposed as needed.
Requirements
Attendance and active participation; respect for the ethos of the
seminar in comportment and conversation; completion of all assigned work on
time.
As part of this seminar you must attend three GW MEMSI events:
- Digital Humanities
Symposium, Jan 25-26
- Will Stockton lecture, March
1
- “Ecology of the Inhuman”
Symposium, April 5
In recognition of the amount of work required and to enable you to
prepare for our own in-class symposium, the seminar will not meet on March 26.
Your grade will be determined in these proportions:
Participation 20
4 Blog Posts
(eboveer.blogspot.com) 20
Symposium
Presentation (April 2) 20
Peer Assessment 10
Journal Essay (3K words) 30
Participation refers to your readiness in class to discuss the
assigned readings, and your thoughtfulness in giving an account of them and in
responding to your seminar colleagues. Participation may be deepened by
extending your efforts into additional social media (e.g. Twitter, a Facebook
discussion group) as desired. At least four blog posts are required: one on
each of the three MEMSI events, and an additional post based upon a particular
class or its readings (you may, of course, do more). The symposium presentation
is an 8 minute, coherent, argument-driven, well performed presentation on
Carolyn Dinshaw’s How Soon Is Now?
Peer assessment refers to the feedback you will give your colleagues on their
symposium presentations as well as your participation as a commentator on the seminar’s
blog. The journal essay is a 3000 word essay patterned after those published in
postmedieval that makes a clear and
persuasive argument.
Policy on lateness and extensions
Plan carefully. Except for a
documented medical reason, late work is not accepted. You may not take an
incomplete for this course.
Academic dishonesty:
Academic dishonesty of any kind is a serious offense. In most
cases you will fail the course. According to the GW Code of Academic Integrity,
“Academic dishonesty is defined as cheating of any kind, including
misrepresenting one's own work, taking credit for the work of others without
crediting them and without appropriate authorization, and the fabrication of
information.” Most Academic Integrity cases involve a failure to cite internet
or other sources consulted as part of a project. You can find more on the Code
of Academic Integrity at http://www.gwu.edu/~ntegrity.
Disability statement:
If you require accommodations based on disability, contact me
immediately. Disability Support Services (Rome Hall 1st floor, 994‑8250,
http://gwired.gwu.edu/dss) is available to assist and you should not hesitate
to use that office.
Texts
The following books are available at the GW Bookstore. With the
exception of Chaucer, it is very important to possess the required translation.
Please speak to me if obtaining the texts poses a financial difficulty. Supplements
to class readings may sometimes be posted on Blackboard.
- Riverside Chaucer, reissue with new foreword (Oxford) 978-0199552092 or
any suitable edition in Middle English
- Geoffrey of Monmouth, History of the Kings of Britain (Penguin)
978-0140441703
- John Mandeville, The Book of Marvels and Travels (Oxford),
trans. Anthony Bale 978-0199600601
- John DuVal, Song of Roland (Hackett)
978-1603848503
- The Gawain Poet: Complete Works, trans. Marie Borroff
(Norton), 978-0393912357
- Ian Bogost, Alien Phenomenology (U Minnesota Press)
978-0816678983
- Robert McRuer and Anna
Mollow, eds. Sex and Disability (Duke)
978-0822351542
- Margrit Shildrick, Dangerous Discourses of Disability, Subjectivity and
Sexuality (Palgrave Macmillan) 978-1137272805
- Mel Y. Chen, Animacies: Biopolitics, Racial Mattering and Queer Affect (Duke)
978-0822352723
- Carolyn Dinshaw, How Soon Is Now?: Medieval Texts, Amateur Readers, and the
Queerness of Time (Duke) 978-0822353676
- Stacy Alaimo, Bodily Natures (Indiana)
978-0253222404
- Will Stockton, Playing Dirty (Minnesota) 978-0816666072
- Tim Ingold, Being Alive (Routledge) 978-0415576840
Schedule
of Readings
January
15
Veering
- “Advertisement” “Casting
Off” and “ On Critical and Creative Writing” in Nicholas Royle, Veering: A Theory of Literature [download
from Blackboard]
- Interrogation of the
syllabus and communal construction of the seminar’s learning objectives
January 22
Animating
- “Pearl” (in The Gawain Poet: Complete Works)
- Mel Y. Chen, Animacies: “Introduction” “Language and Mattering Humans,”
“Queer Animation” “Following Mercurial Affect”
January 25-26
Digital
Humanities Symposium
- post on this symposium by Monday 1/28 at 5 PM
January 29
Animalizing
- Sir Gawain and
the Green Knight (in The Gawain Poet: Complete Works)
- Mel Y. Chen, Animacies “Queer Animality” “Animals, Sex, and Transubstantiation”
“Afterword”
February 5
Composing
- Geoffrey of Monmouth, History of the Kings of Britain
- Tim Ingold, Being Alive: “Materials Against Materiality” “Culture on the
Ground” “Rethinking the Animate” “Point, Line, Counterpoint” “When ANT
meets SPIDER”
February 12
Enchanting
- Geoffrey of Monmouth, History of the Kings of Britain
- Geoffrey Chaucer, Franklin’s Tale
- Tim Ingold, Being Alive: “The Shape of the Earth” “Earth, Sky, Wind and
Weather” “Stories against classification” “The Textility of Making”
“Drawing Together” “Epilogue”
February 19
Companioning
Guest faculty: Anthony Bale
- John Mandeville, The Book of Marvels and Travels
- CWRD Moseley, “Behaim's Globe and Mandeville's Travels,”
Imago Mundi 33 (1981), 89-91
February 26
Pardoning
- Geoffrey Chaucer, “The Pardoner’s Tale”
- “Introduction” “The Wandering Anus” and “The
Pardoner’s Dirty Breeches” in Will Stockton, Playing Dirty
March 1
Will Stockton lectures
on "The Fierce Urgency of Now: Queerness, Presentism, and Romeo
and Juliet."
- post on this lecture by Monday 3/4 at 5 PM
March 5
Sounding
- The Song of
Roland
- Stacy Alaimo, Bodily Natures: “Bodily Natures” “Eros and X-Rays” “Deviant
Agents” “Genetics, Material Agency, and the Evolution of Posthuman
Environmental Ethics in Science Fiction”
March
12 SPRING BREAK
March 19
Envitalizing
- Saint
Erkenwald
(in The
Gawain Poet: Complete Works)
- Ian Bogost, Alien Phenomenology
March 26 NO CLASS
April 2
In-Class Symposium
on How Soon is Now?
A
symposium of presentations on Carolyn Dinshaw, How Soon is Now? Medieval Texts, Amateur Readers and the Queerness of
Time. Each seminar member will speak on any aspect of the book for 7
minutes, keeping the themes of the course in mind. The presentations will be
peer assessed, and followed by a lively discussion and reception.
April 5
Ecology of the
Inhuman Symposium
- post on this lecture by Monday 4/8 at 5 PM
April 9
Bodying
- Margrit Shildrick, Dangerous Discourses of Disability, Subjectivity and Sexuality
- Geoffrey Chaucer, The Wife of Bath’s Prologue and Tale
April 16
Sexing
- “Cleanness” (in The Gawain Poet: Complete Works);
Geoffrey Chaucer, The Physician’s
Tale
- Sex and
Disability: Read
the “Introduction” and four essays of your choice from four different
sections (Access, Histories, Spaces, Lives, Desires)
April 23
Veering
Concluding
thoughts, new directions, and discussion of short journal essays.
May 3 Journal Essay Due by Noon
Jeffrey - AWESOMESAUCE. I'm loving how this syllabus is earnestly thinking through - and setting in motion - a multimodal and collaborative pedagogy.
ReplyDeleteAll of this looks awesome, Jeffrey. I really think it looks like a fascinating course.
ReplyDeleteI am most interested to hear about how the multimodal component works out. I've experimented with things like blogs and tumblr, etc. I think that we need to unmoor written work from the professor/student dynamic. Make it more pressing, sometimes more public, always more engaged. Excellent stuff.