Fig. 1.
Bodleian Mich. MS 50 (Neubauer 2219), f 116v.
by EILEEN JOYI am super-thrilled to announce today the winner of the 2014 Biennial Michael Camille Essay Prize, the theme for which this time around was "Medievalism and the Margins." I'm especially happy that this essay investigates the marginal position and place of poetry in relation to prose in critical writing, since for a long while now, both the BABEL Working Group and postmedieval have been invested in exploring and enacting poetics as a lyrical criticism.
S. J. Pearce, New York University, Department of Spanish and Portuguese
Poetry on the Edge: Modern Medievalism's Marginal Verses
This essay is a preliminary examination of the
relationship between prose and poetry in the work of modern editors of
medieval texts, work that typically separates out the two modes of
writing, even where they coexist unitarily in the source materials. The
principal vehicle for this examination is a unicum manuscript (Bodl.
Mich. MS 50) of a twelfth-century Hebrew ethical will written by Judah
ibn Tibbon, a Granada-born translator of Arabic philosophical and
religious texts who spent most of his adult life in exile in the
Provençal city of Lunel. The will is written in both prose and verse;
the late medieval/early modern scribe’s decision to consign the prosodic
portions of the text to a margin running down the outer edge of the
page is evocative of the unease that subsequent students and editors of
this and other texts produced by the Islamicate culture of Spain would
confront when editing those texts for modern readers. By responding to
this manuscript’s provocation of format, the essay stakes out the ground
for future and continuing discussion of the marginal place of poetry
with respect to the related prose in modern and contemporary
scholarship.
Judges
Steven Kruger, Queens College and the CUNY Graduate Center
Anna Klosowska, Miami University
Kathleen Biddick, Temple University
Asa Simon Mittman, California State University, Chico
S.J.'s essay will appear in postmedieval in 2015 [Issue #2], and appropriately enough, in the special issue edited by David Hadbawnik and Sean Reynolds on "Contemporary Poetics and the Medieval Muse."
HUZZAH for S.J. Pearce, and with deep gratitude to the judges for their hard work examining all of the essays submitted.
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